Kokopelli: From darkness into life… (2024) Kokopelli sounds his horn, bringing life back into the landscape and signifying the change from the stillness of a winter’s night into the light and life of a summer’s day, where crows fly and deer graze. Size: H41cm x W65cm
Shades of Green (2023)Kokopelli, tree and Moon (2014) The lone figure of Kokopelli walks uphill toward a tree, playing his flute. The figure of Kokopelli is a Native American myth: he’s the bringer of change and a god of fertility, and sometimes even bringer of mischief. Kokopelli provides a facinating figure which I’ve made a couple of times and from which you can see the latest version above. But this one was my first!Memories of Peru: Grazing Lima and a viewing platform wall (commission 2017)
Sunspectacled Woman (2015)Brighton Rainbow: Celebrating Brighton Pride (2023) Brighton Rainbow features the coastline and shops as seen from the sea. The red shapes on the beach represent beach umbrellas while the skyline features a rainbow, replacing the sky completely. The sea contains an array of iridescent tesserae, reflecting light as sea waves do.Memories of Peru: Machu Picchu, Condor & artwork (commission 2017) The two Memories of Peru pieces were amalgamations of photos the client had taken while on holiday in Peru. Hence the sky looks rather odd as skies go, even by my standards! Instead, I replaced the wonderful blue skies with this pattern the client came across and added the condor, which in the original image was a small speck in the sky. This technique of replacing the obvious with something seemingly unrelated can also be seen in Brighton Rainbow, above.Racing Green (2022) Jaguar sports car in racing green on a deep cerise background.
Resting Peacock This peacock knows he’s handsome and is just resting before he displays his full fan tail. And as you move around him, the irridescent tesserae shine with a ‘peacockian’ beauty!Flowers in a wooden frame: Pt1 (2015) In the two ‘Flowers in a wooden frame’ pieces, I allowed the shape of the micro-tesserae (tiles) to dictate the shapes. For the most part, I kept the tiles whole, so there’s the flowers are representational rather than being lifelike. The backgrounds were then laid in a regimented fashion and with very little room for grout. In doing so, it means the eye is drawn to the flowers, but the light reflects off the background.Flowers in a wooden frame: Pt2 (2015)